An anticipated third record by the side project of the beloved Martin Mendez of Opeth has arrived. White Stones began their journey under the heavy shadows of the COVID-19 pandemic with their debut record Kuarahy. Kuarahy's ambitious approach to the well-known genre of progressive death metal was unique but familiar at the same time. While the experimentations bring a breath of fresh air, the Opethian vibe is so strong at times that it feels like you're listening to a pre-Pale Communion record.
Memoria Viva is a prog-death record with Akerfeldt-esque riff writing, just like the other White Stones albums. Can you blame Mendez? This is far from a bad thing. Akerfeldt is one of the best writers in metal, and being in a band with him for over 25 years has its benefits for Mendez. While the band stays true to their roots, they also manage to create a unique sound that incorporates sub-genres like doom metal, black metal, and, of course, the main principles of progressive death metal. The most unique addition to their sound is their tone. The album reflects its anger in a peaceful disguise, much like the previous two records. However, Memoria Viva's peacefulness is more prominent. While the previous record, Dancing Into Oblivion, had unclear production and lacked the inspiration of the debut, Memoria Viva is a more focused and clear approach with sharper and more solid production. It feels like the true sophomore record for the band.
The level of experimentation is higher than on previous records. While Memoria Viva has more instrumental passages and folk elements, it unfortunately doesn't grab attention as effectively as the debut record Kuarahy. It's undeniable that Memoria Viva is a more mature and well-defined record than other White Stones releases. However, the raw emotion and ambition that shaped Kuarahy into a better record would have benefited this album, potentially making it a shining achievement for the band.
White Stones' powerfully expelling and haunting atmosphere, created by mid-tempo grooves and sinister vocal deliveries, has grown and found its identity. While Memoria Viva is definitely worth your time and meant to be experienced in full, its lack of balance between the aggressive and mellow moments affects the flow negatively. However, one thing is certain: White Stones have created a compelling piece that delivers moving compositions to their listeners. It almost feels like the new era of Opeth decided to return to their progressive death metal roots while keeping their new sound as a cherry on top. Even though I feel mildly disappointed due to my high expectations, White Stones have succeeded in impressing me once again and have compensated for their slight misstep with Dancing Into Oblivion. Definitely a journey worth experiencing.
HIGHLIGHTS:
Humanoides
D-Genercion
La Ira
Grito al silencio
RATING: 7.5/10
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